bonnot paris logo

Sapphire Colours: The Complete Colour Chart

François Deprez
August 5, 2026
-
5 min read
Sapphire Colours: The Complete Colour Chart


Bonnot Paris · The Journal of Precious Stones 2026

The colours of sapphire

All but red. Nine families, thirty-six shades recorded from our actual stones, the price per carat of each — and the boundary beyond which it is no longer a sapphire.
By François Deprez, founder · Colour chart · 11 min · September 2026
Sapphire has no colour. Pure corundum is colourless — everything you see in this colour chart comes from a few foreign atoms per million.

This colour chart is not a theoretical chart. Each colour code was recorded from the photograph of a stone actually in stock, in September 2026, with its weight and price. Two families have deliberately been omitted, and we explain why.

A clarification that applies to everything that follows: a screen never reproduces a gemstone. These codes offer a direction, not a truth — a stone is judged in daylight, then in low light, and never otherwise.

01

A colourless

Corundum — crystallised aluminium oxide — reflects nothing at all in its pure state. Every colour in this chart is an accident of growth: a foreign element enters the crystal lattice and absorbs part of the light spectrum.

Element What it produces Families concerned
Iron + titanium A charge transfer between the two atoms, highly effective at absorbing light. Blue, teal
Iron alone Depending on its proportion, from pale lemon to forest green. Yellow, green
Chromium Pink — and, combined with orange centres, padparadscha. Pink, padparadscha, orange
Vanadium Violet, sometimes accompanied by a change depending on the lighting. Violet

Two consequences follow, and they explain everything that comes next. No hue is reproducible : impurities are distributed at random, so no two sapphires from the same deposit are ever quite alike. And colour is never perfectly uniform — which creates, in some stones, two distinct areas within the same crystal.

02

The spectrum

Thirty-six shades, from the coolest to the warmest. Each comes from a stone we have on display.

>

Codes taken from photographs of our stones in stock, September 2026. They indicate a direction, not a certified colour value.

What this spectrum shows better than text: there is no break between the families. Blue shifts into teal, teal into green, green into yellow. The names are conventions applied to a continuum — and that is precisely why boundary stones are the most interesting to look at.

03

Nine families, thirty-six shades

Each shade below was taken from the photograph of a stone actually on display. Nothing is chosen from a palette: these are the colours of our gems, extracted one by one.

Unmounted blue sapphire — Bonnot Paris
The historic colour
Blue
Midnight blue · Deep blue · Steel blue · Royal blue · Slate blue
Iron and titanium. The colour of fidelity, and the one whose price rises fastest with weight.
€1,780/ctfrom €2,76011 on display
Unmounted green sapphire — Bonnot Paris
Back in fashion
Green
Meadow green · Lemon green · Water green · Almond green
Iron alone, without titanium to make it blue. Long overlooked, it is returning in the wake of teal.
€1,200/ctfrom €85217 on display
Unmounted teal sapphire — Bonnot Paris
Between blue and green
Teal
Pine teal · Lagoon blue · Light teal · Sage teal
Neither blue nor green: its appearance changes with the lighting. The most abundant family in our stock.
€1,010/ctfrom €74419 on display
Loose pink sapphire — Bonnot Paris
Chromium, like ruby
Pink
Fuchsia pink · Candy pink · Powder pink
The same chromium as in ruby, simply less concentrated. The gateway to warm hues.
€1,500/ctfrom €91216 on display
Loose padparadscha sapphire — Bonnot Paris
Controlled designation
Padparadscha
Deep coral · Coral pink · Salmon pink · Pale peach
Equal parts pink and orange. The only sapphire whose designation is controlled by a laboratory.
€2,850/ctfrom €1,36823 on display
Loose orange sapphire — Bonnot Paris
The most discreet
Orange
Burnt earth · Mandarin · Pale apricot
A pure orange, without the pink that would shift the stone towards padparadscha.
Small seriesfrom €1,21210 on display
Loose violet sapphire — Bonnot Paris
Rarer than blue
Violet
Plum violet · Amethyst · Lilac
Coloured by vanadium. Some stones shift to blue in daylight and violet under a lamp.
€1,150/ctfrom €48022 on display
Loose bi-colour sapphire — Bonnot Paris
Two hues, one crystal
Bi-colour
Midnight green · Blue-green · Steel blue · Grey-green · Blue-violet
Two zones within the same crystal. Each stone is one of a kind.
Small seriesfrom €61215 on display
Yellow sapphire shown loose — Bonnot Paris
The most accessible
Yellow
Old gold · Honey · Olive yellow · Sun yellow · Champagne
From pale lemon to honey. The same hardness as blue, for nearly half the price.
€990/ctfrom €70811 on display

Shades recorded among our in-stock stones, September 2026. Prices incl. VAT. Average per-carat prices apply to stones from 0.9 to 2.5 ct across the entire stock; the number of stones shown corresponds to ring sizes available on the date of recording.

What a swatch does not tell you

Each swatch is an average. It works for a clear, uniform colour; it fails for a very pale shade or for a crystal containing two. And above all: a screen cannot reproduce a gemstone. These colours offer a direction, not a promise.

04

What this colour chart reveals

Three lessons can be read directly from the bands above.

There is no break between the families. Blue shades into teal, teal into green, green into yellow. The names are conventions placed on a continuum — and the boundary stones, those that refuse to be named, are often the most interesting to look at.

The price gap does not follow geological rarity. Violet is rarer than blue and costs €1,150/ct versus €1,780. Yellow, at €990/ct, is the most accessible family on the chart without being any less hard or less beautiful. What you pay extra for in blue is reputation.

Only one family plays in another league : padparadscha, at €2,850/ct, nearly three times the price of teal. As its designation is controlled by an independent laboratory, an appealing orangey-pink stone without mention in the report remains a pink sapphire — which mechanically limits supply.

Family Median price per carat Position
Padparadscha €2,850/ct Controlled designation: limited supply
Blue €1,780/ct Demand, more than rarity
Pink €1,500/ct Chromium, as in ruby
Green €1,200/ct Back in fashion
Violet €1,150/ct Rarer than blue, half the price
Teal €1,010/ct The most abundant family
Yellow €990/ct The most accessible in the colour spectrum

Medians recorded across 262 stones from 0.9 to 2.5 ct, Bonnot Paris stock, September 2026. Orange and bi-colour stones are not included in this ranking: their samples are too limited to produce a reliable median.

07

The boundary red

There is only one clear boundary in this entire colour spectrum: the one that changes the stone’s name. When chromium becomes concentrated enough to shift the colour into red, the sapphire becomes a ruby.

What makes this boundary fascinating is that it is not clear-cut. The tipping point is debated between laboratories : the GIA places it earlier than the SSEF. Two reports may therefore reach different conclusions about the same gem — “pink sapphire” for one, “ruby” for the other — with a considerable price difference at stake.

A very practical consequence, and one that works in your favour: at comparable quality, a pink sapphire remains significantly more accessible than a ruby. It is the most elegant alternative for those who love red without having the budget for it. If it is truly a pure red you are looking for, however, only a ruby engagement ring will deliver it — no pink sapphire, however saturated, will cross the line.

The only test that matters

Look at the stone in daylight, then in the evening in a lit room. If the colour collapses as the light fades, it will not come out of the drawer — whatever its code in this colour spectrum.

08

Sapphire colours, your questions

How many colours does sapphire come in?

All of them, except red. We work with ten families: blue, teal, pink, padparadscha, violet, yellow, green, orange, peach and bi-colour. When the concentration of chromium becomes strong enough to shift the stone into red, it changes name and becomes a ruby.

Which colour is the most expensive?

Padparadscha, by far: around €2,850/ct in median value across our stock, compared with €1,780 for blue and €1,010 for teal. Its designation is controlled by laboratories, which mechanically limits supply.

Which colour is the most accessible?

Yellow and teal, at around €1,000/ct in median value, followed by violet and green. These families are less sought-after than blue without being any less beautiful or durable: the same hardness of 9 out of 10.

What is a padparadscha?

A sapphire combining pink and orange in roughly equal parts. It is the only sapphire to bear a proper name, derived from the Sinhalese word padmaraga which denotes the lotus flower, and the only one whose designation is controlled by a laboratory. Without mention in the report, a pinkish-orange stone remains a pink sapphire.

What is a teal sapphire?

A stone whose colour lies between blue and green, without clearly belonging to either. Its appearance changes with the lighting: bluer in a display case, greener by a window. It is the most abundant family in our stock.

Why does colour change with the light?

Because a stone does not produce light: it reflects what it is given. A warm source draws tones towards red, daylight towards blue. No screen can replace holding the stone in your hand.

Where does pink end and red begin?

With the concentration of chromium, and nothing else: it is the same mineral. The tipping point is debated among laboratories — the GIA places it earlier than the SSEF — and two reports may reach different conclusions about the same gem.

Ten colours, one light

Tell us your budget: we will bring out several families at that price point, side by side under the same light, then in low light. No colour chart can replace those three minutes.


Share this post

François Deprez
Founder of Bonnot Paris
Back to the journal